October’s book club pick. Demi and I are getting really good at our selections.
Margaret Atwood writes, “Calling a piece of short fiction a ‘tale’ removes it at least slightly from the realm of mundane works and days, as it evokes the world of the folk tale, the wonder tale, and the long-ago teller of tales.” Tales, as we are familiar with them, also evoke the idea of youth, innocence, and darkness–rites of passage into adulthood. Atwood turns this on its head by writing about adults who are facing endings rather than beginnings.
This collection begins with three linked stories about a love triangle among bohemian artists in the 1960s, told from the present day. Each member of the triangle has gone on to pass the decades separately. In “Alphinland,” Constance (C.W.) Starr, a widowed author of an enormously famous fantasy series, navigates the mundane task of preparing her home for a snow storm, all the while listening to the disembodied voice of her…
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